Nanas, Hanover

The Nanas in Hanover are a striking example of the innovative and bold art of French artist Niki de Saint Phalle. Born in 1930 and passing away in 2002, Saint Phalle was a pioneering figure in the Pop Art movement. Her Nanas sculptures are particularly renowned for their depiction of voluptuous female forms, characterized by sensuous, colorful, and larger-than-life attributes. These sculptures are not just artistic expressions but also carry a significant cultural and feminist statement.

"Nana," a term deriving from French, encapsulates the essence of modern, self-assured, and erotically liberated women, often associated with a playful, wicked spirit. This term perfectly aligns with the spirit of Saint Phalle's creations, which first made a public appearance in Paris in 1965. These oversized female sculptures were not only artistic innovations but also a bold statement on femininity and societal norms.

The Nanas are celebrated for their life-affirming and cheerful nature, often depicted in dancing poses, exuding joy and a zest for life. They are typically colorful, embodying the vibrancy and complexity of womanhood. Their exaggerated forms challenge conventional beauty standards and celebrate the diversity of the female form.

In 1974, three of these vibrant, voluminous Nanas made of polyester found a permanent home at the Leibnizufer der Leine in Hanover. These sculptures not only added artistic value to the city but also laid the foundation for what would later become the Skulpturmeile of Hannover, a testament to the city's commitment to public art and cultural expression.