St. Mary-at-Hill, London

During the 10th and 11th centuries, Billingsgate Quay held significant importance as an Anglo-Saxon harbor, serving as the primary pathway leading north into the historic city. This route directly passed by the church, and its distinctively steep ascent from the River Thames earned the church its name, Saint Mary at (or "on") the Hill.

In 1666, the Great Fire of London nearly obliterated the medieval structure, causing considerable damage to its walls and tower. Subsequently, all new church designs were supervised by Sir Christopher Wren, with Robert Hooke contributing to the design of Saint Mary-at-Hill. The church underwent reconstruction, with the south and north walls rebuilt, and a new frontage added.

During the Second World War Blitz, Saint Mary-at-Hill remarkably escaped damage, preserving its Victorian-era interior featuring lofty box pews and rich dark wood carvings. However, in May 1988, the church faced a devastating setback when fire led to the collapse of its dome and roof, causing substantial harm to the interior. Despite this setback, the primary framework underwent extensive restoration, and the surviving internal furnishings were safeguarded in storage. Archaeological excavations, uncovering evidence of ancient graves predating the medieval construction, confirmed the church's location as part of Roman London and later an Anglo-Saxon settlement.

Today, this venerable church is renowned for its free lunchtime recitals, continuing a long tradition of musical excellence. Donations are appreciated during Tuesday performances.