Versailles Gardens Walking Tour (Self Guided), Versailles
Spread across a vast (800-hectare) area, the Versailles Gardens are the quintessential example of regal grandeur and meticulous French landscape design. Most of its feature areas – known as 'groves' – were created by King Louis XIV’s chief landscape architect André Le Nôtre. Key among the garden's numerous attractions is the Orangerie Fountain, which sets the tone for its opulent ambiance.
Among other elaborate water features, central to the garden's allure, are the majestic Latona Fountain and the grand Water Parterre. Nearby, the Triumphal Arch Grove and the fiery Dragon Fountain showcase sculptural and aquatic artistry in harmony.
Exploring further, visitors will be dazzled by the intricately designed Three Fountains Grove and the powerful Neptune Fountain, renowned for its dynamic sculptures and size. Each grove, be it the Green Round or the mythical Apollo's Baths, tells a unique story through its sculptural elements.
The garden’s narrative continues in the Star Grove, the Groves of the Domes, and the iconic Apollo Fountain, featuring their own distinct themes and styles. The Colonnade Grove stands out for its circular colonnade surrounding a central group of sculptures.
Amidst these splendors, the King's Garden, the Saturn Fountain, and the reflective Mirror Fountain offer quieter, yet equally stunning, moments of reflection. The Northern and Southern Quincunxes provide structured green spaces that contrast with the meticulously designed Queen's Grove and the naturalistic Rockwork Grove.
For an experience that marries history, art, and nature, the Versailles Gardens invite you to witness the grandeur of a classical French garden and the timeless beauty of its sculptural and botanical art. Visit here to step back into a world of royal luxury and landscaped precision—a truly unforgettable journey!
Among other elaborate water features, central to the garden's allure, are the majestic Latona Fountain and the grand Water Parterre. Nearby, the Triumphal Arch Grove and the fiery Dragon Fountain showcase sculptural and aquatic artistry in harmony.
Exploring further, visitors will be dazzled by the intricately designed Three Fountains Grove and the powerful Neptune Fountain, renowned for its dynamic sculptures and size. Each grove, be it the Green Round or the mythical Apollo's Baths, tells a unique story through its sculptural elements.
The garden’s narrative continues in the Star Grove, the Groves of the Domes, and the iconic Apollo Fountain, featuring their own distinct themes and styles. The Colonnade Grove stands out for its circular colonnade surrounding a central group of sculptures.
Amidst these splendors, the King's Garden, the Saturn Fountain, and the reflective Mirror Fountain offer quieter, yet equally stunning, moments of reflection. The Northern and Southern Quincunxes provide structured green spaces that contrast with the meticulously designed Queen's Grove and the naturalistic Rockwork Grove.
For an experience that marries history, art, and nature, the Versailles Gardens invite you to witness the grandeur of a classical French garden and the timeless beauty of its sculptural and botanical art. Visit here to step back into a world of royal luxury and landscaped precision—a truly unforgettable journey!
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Versailles Gardens Walking Tour Map
Guide Name: Versailles Gardens Walking Tour
Guide Location: France » Versailles (See other walking tours in Versailles)
Guide Type: Self-guided Walking Tour (Sightseeing)
# of Attractions: 19
Tour Duration: 3 Hour(s)
Travel Distance: 3.5 Km or 2.2 Miles
Author: leticia
Sight(s) Featured in This Guide:
Guide Location: France » Versailles (See other walking tours in Versailles)
Guide Type: Self-guided Walking Tour (Sightseeing)
# of Attractions: 19
Tour Duration: 3 Hour(s)
Travel Distance: 3.5 Km or 2.2 Miles
Author: leticia
Sight(s) Featured in This Guide:
- Orangerie Fountain
- Bassin de Latone (Latona Fountain)
- Parterre d’Eau (Water Parterre)
- Bosquet de l'Arc de Triomphe (Grove of the Triumphal Arch)
- Bassin du Dragon (Dragon Fountain)
- Bosquet des Trois Fontaines (Three Fountains Grove)
- Bassin de Neptune (Neptune Fountain)
- Bosquet du Rond-Vert (Green Round Grove)
- Bosquet des Bains d’Apollon (Grove of Apollo's Baths)
- Bosquet de l'Étoile (Grove of the Star)
- Bosquet des Dômes (Groves of the Domes)
- Bassin d’Apollon (Apollo Fountain)
- Bosquet de la Colonnade (Colonnade Grove)
- Jardin du Roi (King's Garden)
- Bassin de Saturne (Saturn Fountain)
- Bassin du Miroir (Mirror Fountain)
- Northern Quincunx and Southern Quincunx
- Bosquet de la Reine (Queen's Grove)
- Bosquet de Roccailles (Rockwork Grove)
1) Orangerie Fountain
The buildings and gardens of Versailles are beautiful and diverse. The Orangerie is one of the finest examples of the whims of the kings of France.
King Louis 14th transformed the hunting lodge used by his grandfather Louis 13th, into the magnificent Palace of Versailles during three separate building campaigns. One of the first buildings to be completely finished was the Orangerie, built between 1684 and 1686, by the king’s favorite architect Jules Hardouin Mansart.
The building consists of a central gallery, 150 metres long and 21 metres wide with a high vaulted ceiling and tall arched windows facing the south for maximum sunlight. This gallery has two lateral galleries 117 metres long, which are under the famous “Cent Marches” stairway.
The gardens are spread around a central pond with a fountain. Around the pond are walkways and four lawns that are laid out in geometrical patterns. From May to October plants are brought out from the buildings and set out in large square tubs lining the paths.
Some of these plants and trees are over 200 years old and every year they are laden with fruit or flowers. You can admire Oleanders with their crêpe-paper red, pink and white blossoms, slender palms and orange, lemon and pomegranate trees from Italy, Spain and Portugal.
King Louis 14th transformed the hunting lodge used by his grandfather Louis 13th, into the magnificent Palace of Versailles during three separate building campaigns. One of the first buildings to be completely finished was the Orangerie, built between 1684 and 1686, by the king’s favorite architect Jules Hardouin Mansart.
The building consists of a central gallery, 150 metres long and 21 metres wide with a high vaulted ceiling and tall arched windows facing the south for maximum sunlight. This gallery has two lateral galleries 117 metres long, which are under the famous “Cent Marches” stairway.
The gardens are spread around a central pond with a fountain. Around the pond are walkways and four lawns that are laid out in geometrical patterns. From May to October plants are brought out from the buildings and set out in large square tubs lining the paths.
Some of these plants and trees are over 200 years old and every year they are laden with fruit or flowers. You can admire Oleanders with their crêpe-paper red, pink and white blossoms, slender palms and orange, lemon and pomegranate trees from Italy, Spain and Portugal.
2) Bassin de Latone (Latona Fountain)
The gardens of Versailles are full of water features and one of the most famous is the Latona Fountain.
It was designed by the famous landscape gardener André le Notre and built in 1670. The magnificent central fountain was sculpted by Gaspard and Balthazar Marsy.
The fountain looks a little like a wedding cake with its four tiers and centre figures. However, instead of the bride and groom you find on top of a wedding cake, the main statues represent the goddess Latone and her two children Apollo and Diana. On the three other tiers are statues of men and women, frogs, lizards and turtles.
According to Roman mythology, the goddess Latone fell in love with Jupiter. Hearing that she was pregnant, Juno – Jupiter’s wife – chased Latone from heaven. On earth the unfortunate goddess gave birth to her twins, but when she went to wash them and drink from a fountain in Lycia, the people refused to let her approach the water.
Latone cried out to Jupiter, who punished the people by turning them into frogs, lizards and turtles. Ovid mentions this legend in his famous work “Metamorphoses”, which inspired the Marsy brothers in their creation.
The fountain is an incredible example of 17th century hydraulics but over the centuries it is inevitably falling into ruin. A recent restoration program has been launched, with repairs estimated at about 7 million Euros.
It was designed by the famous landscape gardener André le Notre and built in 1670. The magnificent central fountain was sculpted by Gaspard and Balthazar Marsy.
The fountain looks a little like a wedding cake with its four tiers and centre figures. However, instead of the bride and groom you find on top of a wedding cake, the main statues represent the goddess Latone and her two children Apollo and Diana. On the three other tiers are statues of men and women, frogs, lizards and turtles.
According to Roman mythology, the goddess Latone fell in love with Jupiter. Hearing that she was pregnant, Juno – Jupiter’s wife – chased Latone from heaven. On earth the unfortunate goddess gave birth to her twins, but when she went to wash them and drink from a fountain in Lycia, the people refused to let her approach the water.
Latone cried out to Jupiter, who punished the people by turning them into frogs, lizards and turtles. Ovid mentions this legend in his famous work “Metamorphoses”, which inspired the Marsy brothers in their creation.
The fountain is an incredible example of 17th century hydraulics but over the centuries it is inevitably falling into ruin. A recent restoration program has been launched, with repairs estimated at about 7 million Euros.
3) Parterre d’Eau (Water Parterre)
The most amazing feature of Versailles is, of course, the numerous fountains, ponds and lakes, especially when you think that the water was pumped up from the Seine using ingenious 17th century technology. One of the most popular of these waterways is the Water Parterre.
The Parterre is a terrace between the Chateau and the gardens. It has two huge rectangular ponds – hence its name. Planning to lay it out started in 1672 and in 1674 Louis 14th ordered 24 statues to grace the terrace. The commission was known as the Grande Commande.
These statues were executed by various master sculptors and comprised the Four Seasons, the Four Continents, the Four Elements, the Four Humors of Man, the Four Poems and the Four Hours of the Day. Several other statues representing figures from mythology were also commissioned.
The statues are spread out in other gardens as the first plans for the terrace were scrapped in 1685 in favor of the Parterre you can visit today. The two ponds are decorated with figures in bronze representing rivers and their important tributaries.
The Seine and the Marne were created by Le Hongre, the Garonne and the Dordogne by Coysevox, the Loire and the Loiret by Regnaudin and the Rhône and the Saône were by Tuby.
The water nymphs and groups of children were by Le Gros, Van Clève, Poultier and Lespingola.
The Parterre is a terrace between the Chateau and the gardens. It has two huge rectangular ponds – hence its name. Planning to lay it out started in 1672 and in 1674 Louis 14th ordered 24 statues to grace the terrace. The commission was known as the Grande Commande.
These statues were executed by various master sculptors and comprised the Four Seasons, the Four Continents, the Four Elements, the Four Humors of Man, the Four Poems and the Four Hours of the Day. Several other statues representing figures from mythology were also commissioned.
The statues are spread out in other gardens as the first plans for the terrace were scrapped in 1685 in favor of the Parterre you can visit today. The two ponds are decorated with figures in bronze representing rivers and their important tributaries.
The Seine and the Marne were created by Le Hongre, the Garonne and the Dordogne by Coysevox, the Loire and the Loiret by Regnaudin and the Rhône and the Saône were by Tuby.
The water nymphs and groups of children were by Le Gros, Van Clève, Poultier and Lespingola.
4) Bosquet de l'Arc de Triomphe (Grove of the Triumphal Arch)
The Grove of the Triumphal Arch is a remarkable feature of the gardens at Versailles, completed between 1679 and 1683. Originally designed as a grand and opulent space, the grove was conceived to celebrate the glory of Louis XIV, incorporating a significant element of regal splendor: a grand triumphal arch. This arch, made of gilded metal and adorned with flowing jets and cascades, was intended to impress and reflect the magnificence of the Sun King’s reign. Although the arch no longer stands, its legacy remains in the form of the single, elegant fountain that graces the grove today.
The current centerpiece of the Grove of the Triumphal Arch is the "The Triumphal France" fountain, a masterpiece crafted from gilded lead by renowned sculptors Antoine Coysevox, Jean-Baptiste Tuby, and Jacques Prou. This fountain was designed to evoke the grandeur of the original triumphal arch and to symbolize France's glory and triumph. Its intricate design and the luxurious use of gilded lead reflect the artistic and ornamental sensibilities of the late 17th century.
Despite the removal of the original triumphal arch, the grove remains an enchanting part of the Versailles gardens. The simplicity of its current state, with the central fountain as its highlight, contrasts with the once lavish and complex arrangement. Visitors today can still appreciate the historical significance and the elaborate artistry that characterized the grove during its prime.
The current centerpiece of the Grove of the Triumphal Arch is the "The Triumphal France" fountain, a masterpiece crafted from gilded lead by renowned sculptors Antoine Coysevox, Jean-Baptiste Tuby, and Jacques Prou. This fountain was designed to evoke the grandeur of the original triumphal arch and to symbolize France's glory and triumph. Its intricate design and the luxurious use of gilded lead reflect the artistic and ornamental sensibilities of the late 17th century.
Despite the removal of the original triumphal arch, the grove remains an enchanting part of the Versailles gardens. The simplicity of its current state, with the central fountain as its highlight, contrasts with the once lavish and complex arrangement. Visitors today can still appreciate the historical significance and the elaborate artistry that characterized the grove during its prime.
5) Bassin du Dragon (Dragon Fountain)
The Dragon Fountain is an impressive and captivating water feature that dates back to 1683. This circular fountain is renowned for its dramatic and menacing central figure: a fierce dragon, poised as if ready to strike. Surrounding the dragon are four fish, intricately designed to appear as though they are attempting to escape its powerful claws, adding a dynamic and lifelike element to the scene.
The Dragon Fountain is strategically placed to enhance the grandeur and beauty of the garden's layout. The fountain's placement and design reflect the artistic and engineering prowess of the time, as well as the desire to create awe-inspiring and symbolic features within the royal gardens. The dragon, often seen as a symbol of power and strength, reinforces the might and authority of the French monarchy.
Visitors to the gardens of Versailles are often drawn to the Dragon Fountain not only for its striking appearance but also for its historical significance. It stands as a testament to the elaborate garden designs commissioned by Louis XIV, known as the Sun King, who sought to create a landscape that would reflect the splendor and glory of his reign.
The Dragon Fountain is strategically placed to enhance the grandeur and beauty of the garden's layout. The fountain's placement and design reflect the artistic and engineering prowess of the time, as well as the desire to create awe-inspiring and symbolic features within the royal gardens. The dragon, often seen as a symbol of power and strength, reinforces the might and authority of the French monarchy.
Visitors to the gardens of Versailles are often drawn to the Dragon Fountain not only for its striking appearance but also for its historical significance. It stands as a testament to the elaborate garden designs commissioned by Louis XIV, known as the Sun King, who sought to create a landscape that would reflect the splendor and glory of his reign.
6) Bosquet des Trois Fontaines (Three Fountains Grove)
The Three Fountains Grove is a notable feature in the gardens of Versailles, initially transformed by the celebrated landscape architect André Le Nôtre in 1677. Located to the west of the Alley of the Marmousets, this expansive grove replaced a less permanent water feature known as the Water Bower. Le Nôtre's design created a series of three interconnected spaces, each embellished with fountains that showcased elaborate water effects, enhancing the visual splendor of the gardens.
The grove's fountains were particularly renowned for their intricate design and the special effects they produced, which aligned with the grandeur of the Versailles gardens. Despite modifications made by Louis XIV to other fountains in the early 18th century, the Three Fountains Grove's elaborate features endured. However, in 1774-1775, the gardens underwent a major replantation, which led to the removal of the fountains.
The Three Fountains Grove was replanted in 1830, during which time the original fountains were no longer part of the design. In recent years, the grove has faced challenges, including storm damage, which necessitated restoration efforts to preserve its historical and aesthetic value. T
The grove's fountains were particularly renowned for their intricate design and the special effects they produced, which aligned with the grandeur of the Versailles gardens. Despite modifications made by Louis XIV to other fountains in the early 18th century, the Three Fountains Grove's elaborate features endured. However, in 1774-1775, the gardens underwent a major replantation, which led to the removal of the fountains.
The Three Fountains Grove was replanted in 1830, during which time the original fountains were no longer part of the design. In recent years, the grove has faced challenges, including storm damage, which necessitated restoration efforts to preserve its historical and aesthetic value. T
7) Bassin de Neptune (Neptune Fountain)
One of the most popular of Versailles ponds is the Bassin de Neptune, which is the largest pond in the gardens. It lies at the extreme northern end of the north-south axe that includes the Orangerie, the Parterre d’Eau and the Fountain of the Dragon.
The original pond was constructed by André le Notre in 1681 and was called the “Pool below the Dragon”. It was modified in 1740 by Ange-Jacques Gabriel and the statues of Neptune and his wife Salacia, the minor water-god Proteus and the Titan water-god Oceanus where created by Lemoyne. The Bassin boasts 99 water features in all.
It is surrounded on three sides by gently sloping lawns, which in the summer are filled with spectators as a floating stage is set up on the pond for musical and firework displays to delight the crowds.
From June to the end of August, Versailles hosts the Grandes Eaux Musicales, or Fountain Shows. All the fountains are turned on each weekend and present a superb display set to baroque and classical music.
If you are lucky enough to be in Versailles during July and August, you can enjoy wonderful nocturnal displays of music, water and stunning lighting effects.
The original pond was constructed by André le Notre in 1681 and was called the “Pool below the Dragon”. It was modified in 1740 by Ange-Jacques Gabriel and the statues of Neptune and his wife Salacia, the minor water-god Proteus and the Titan water-god Oceanus where created by Lemoyne. The Bassin boasts 99 water features in all.
It is surrounded on three sides by gently sloping lawns, which in the summer are filled with spectators as a floating stage is set up on the pond for musical and firework displays to delight the crowds.
From June to the end of August, Versailles hosts the Grandes Eaux Musicales, or Fountain Shows. All the fountains are turned on each weekend and present a superb display set to baroque and classical music.
If you are lucky enough to be in Versailles during July and August, you can enjoy wonderful nocturnal displays of music, water and stunning lighting effects.
8) Bosquet du Rond-Vert (Green Round Grove)
The Green Round Grove, originally known as the Water Theater Grove (Bosquet du Théâtre d’Eau), is a fascinating example of the transformation of Versailles’ gardens over time. Designed by André Le Nôtre in the late 17th century, the bosquet was initially conceived as a grand outdoor theater. Its centerpiece was an auditorium with turf seating that provided an elevated view of a stage adorned with four elegant fountains. This design reflected the opulent style of the era and served as a venue for the elaborate water displays that were a hallmark of Louis XIV’s reign.
Throughout the period between 1680 and the death of Louis XIV in 1715, the grove underwent numerous modifications. The statues and fountains were frequently rearranged to keep the design fresh and engaging. One notable addition in 1709 was the Fontaine de l’Île aux Enfants, which contributed to the bosquet’s evolving aesthetic and functionality.
However, the Water Theater Grove faced significant changes in the 18th century. During the winter of 1774-1775, Louis XVI ordered a major replantation of the gardens, which led to the destruction of the original bosquet. In its place, the simpler Green Round Grove was created. This new design marked a departure from the elaborate theatrical style of its predecessor, reflecting a shift towards a more restrained and classical approach in the gardens of Versailles.
Throughout the period between 1680 and the death of Louis XIV in 1715, the grove underwent numerous modifications. The statues and fountains were frequently rearranged to keep the design fresh and engaging. One notable addition in 1709 was the Fontaine de l’Île aux Enfants, which contributed to the bosquet’s evolving aesthetic and functionality.
However, the Water Theater Grove faced significant changes in the 18th century. During the winter of 1774-1775, Louis XVI ordered a major replantation of the gardens, which led to the destruction of the original bosquet. In its place, the simpler Green Round Grove was created. This new design marked a departure from the elaborate theatrical style of its predecessor, reflecting a shift towards a more restrained and classical approach in the gardens of Versailles.
9) Bosquet des Bains d’Apollon (Grove of Apollo's Baths)
Originally created in 1670, this area was initially designed with a rectangular pool surrounded by a grassy border. The pool was adorned with metal reeds and swan figures that discreetly housed multiple water jets. In its early incarnation, a central iron tree, from which water flowed, was the focal point, earning it the name Grove of the Green Oak.
By 1705, the original design was replaced with the Grove of Apollo’s Baths. This transformation included the relocation of statues from the Grotto of Thetis to the newly designed grove. The centerpiece of this new arrangement was a grand and elaborate setting that reflected the grandeur of Apollo, the god of the sun and arts, aligning with the classical themes prevalent in the gardens at that time.
During the reign of Louis XVI, the Grove of Apollo’s Baths underwent another significant transformation. Hubert Robert, a renowned landscape architect, redesigned the grove to feature a cave-like environment that showcased the Marsy statues, adding a dramatic and artistic touch to the setting. This remodeling solidified the grove’s identity as a classical and mythological space.
By 1705, the original design was replaced with the Grove of Apollo’s Baths. This transformation included the relocation of statues from the Grotto of Thetis to the newly designed grove. The centerpiece of this new arrangement was a grand and elaborate setting that reflected the grandeur of Apollo, the god of the sun and arts, aligning with the classical themes prevalent in the gardens at that time.
During the reign of Louis XVI, the Grove of Apollo’s Baths underwent another significant transformation. Hubert Robert, a renowned landscape architect, redesigned the grove to feature a cave-like environment that showcased the Marsy statues, adding a dramatic and artistic touch to the setting. This remodeling solidified the grove’s identity as a classical and mythological space.
10) Bosquet de l'Étoile (Grove of the Star)
The Grove of the Star was conceived in 1666 and is known for its intricate design. The grove’s layout is a marvel of landscape architecture, entered through four paths that converge at the corners of the wooded area. These paths lead visitors to a circular route encircling the grove, from which two serpentine paths extend deeper into the space. At the end of these paths, another route in the shape of a pentagon opens up, allowing access to the center of the grove, which originally featured a pond.
In 1671, the Grove of the Star was enhanced with rockeries that formed a mountainous rock structure, leading to its renaming as the Grove of the Water Mountain. This addition amplified the grove’s naturalistic aesthetic, creating a dramatic focal point within the intricate design. The rockeries and pond contributed to the grove’s reputation as a visually striking and innovative landscape feature.
By the early 18th century, the Grove underwent significant changes. Its elaborate layout was simplified, and the pond was removed, altering the original design considerably. The grove’s complex pathways and decorative elements were replaced with a more streamlined and less intricate design, reflecting the evolving tastes of the period.
Recently, efforts have been made to restore part of André Le Nôtre’s original vision for the Grove of the Water. The restoration has reinstated the circular and serpentine paths, reconnecting with the historic layout to some extent. However, the central area of the grove is now maintained as a lawn, marking a departure from its original water feature but preserving the essence of its design.
In 1671, the Grove of the Star was enhanced with rockeries that formed a mountainous rock structure, leading to its renaming as the Grove of the Water Mountain. This addition amplified the grove’s naturalistic aesthetic, creating a dramatic focal point within the intricate design. The rockeries and pond contributed to the grove’s reputation as a visually striking and innovative landscape feature.
By the early 18th century, the Grove underwent significant changes. Its elaborate layout was simplified, and the pond was removed, altering the original design considerably. The grove’s complex pathways and decorative elements were replaced with a more streamlined and less intricate design, reflecting the evolving tastes of the period.
Recently, efforts have been made to restore part of André Le Nôtre’s original vision for the Grove of the Water. The restoration has reinstated the circular and serpentine paths, reconnecting with the historic layout to some extent. However, the central area of the grove is now maintained as a lawn, marking a departure from its original water feature but preserving the essence of its design.
11) Bosquet des Dômes (Groves of the Domes)
The Groves of the Domes is a striking example of 17th-century French landscape design. Created by André Le Nôtre in 1675, and later transformed in 1677 by the architect Jules Hardouin-Mansart, this grove initially featured an intricate amphitheater layout. Its centerpiece was a hexagonal basin surrounded by a balustrade, with a white marble fountain supported by dolphins situated in the center. The grove was originally named the grove of Fame after a statue of Fame, which played a central role in the design. This statue, which spouted water from its trumpet, was a focal point of the grove until its removal in 1684.
The grove was renamed Grove of Apollo's Baths after the statues of Apollo and the Horses of the Sun were relocated from the Grotte de Thétys between 1684 and 1704. These statues, originally part of the fountain display, were eventually moved to a new site, and the name Grove of Apollo's Baths was later reassigned to a different location within the gardens.
The current name, Groves of the Domes, reflects the grove's most distinctive feature: the two white marble pavilions topped with domes, designed by Hardouin-Mansart. These pavilions, which gave the grove its name, were destroyed in 1820. Despite their removal, the layout of the grove, with its circular arrangement and elegant marble basin, continues to be a testament to the grandeur of the original design.
The grove was renamed Grove of Apollo's Baths after the statues of Apollo and the Horses of the Sun were relocated from the Grotte de Thétys between 1684 and 1704. These statues, originally part of the fountain display, were eventually moved to a new site, and the name Grove of Apollo's Baths was later reassigned to a different location within the gardens.
The current name, Groves of the Domes, reflects the grove's most distinctive feature: the two white marble pavilions topped with domes, designed by Hardouin-Mansart. These pavilions, which gave the grove its name, were destroyed in 1820. Despite their removal, the layout of the grove, with its circular arrangement and elegant marble basin, continues to be a testament to the grandeur of the original design.
12) Bassin d’Apollon (Apollo Fountain)
When Louis 13th used what is now the Chateau of Versailles as a hunting lodge, he had a pond created, which was called the Swan Fountain. When Louis 14th began to expand the lodge, he had the pond transformed into the magnificent Apollo Fountain you can see today.
In 1668 the king commissioned the sculptor Tuby to create something that would represent a mythological figure in connection with the king himself. Tuby turned to the artist and decorator, Claude le Brun, for help.
As Apollo is the Sun-god and Louis 14th was known as the Sun King, it didn’t take le Brun long to come up with an idea. Tuby based his statue on le Brun’s drawings and worked from the Manufacture des Gobelins on his masterpiece, which took two years to finish. It was cast in lead with the gilding added in 1671.
The statue, which stands in the centre of the pond in front of the Grand Canal, is of Apollo emerging towards the east from the sea on his chariot, which is drawn by four horses. Surrounding the chariot are four Tritons, blowing on their horns to announce the new day, and four dolphins. At Apollo’s feet lies the figure of a cherub or perhaps a child, which represents Amour.
In 1668 the king commissioned the sculptor Tuby to create something that would represent a mythological figure in connection with the king himself. Tuby turned to the artist and decorator, Claude le Brun, for help.
As Apollo is the Sun-god and Louis 14th was known as the Sun King, it didn’t take le Brun long to come up with an idea. Tuby based his statue on le Brun’s drawings and worked from the Manufacture des Gobelins on his masterpiece, which took two years to finish. It was cast in lead with the gilding added in 1671.
The statue, which stands in the centre of the pond in front of the Grand Canal, is of Apollo emerging towards the east from the sea on his chariot, which is drawn by four horses. Surrounding the chariot are four Tritons, blowing on their horns to announce the new day, and four dolphins. At Apollo’s feet lies the figure of a cherub or perhaps a child, which represents Amour.
13) Bosquet de la Colonnade (Colonnade Grove)
The Colonnade Grov is a captivating area in the Gardens of Versailles that has undergone several transformations since its inception. Initially designed by André Le Nôtre in 1678, the bosquet was a relatively simple green space, utilizing an existing stream to create a network of rivulets meandering among nine small islets. This early design emphasized natural water features and the integration of the landscape into the existing topography.
In 1684, Jules Hardouin-Mansart undertook a dramatic redesign of the bosquet, transforming it into a grand architectural feature. The area was reimagined with a circular arched double colonnade, consisting of 32 arches and 31 fountains, which introduced a new level of grandeur and complexity to the space. This transformation not only enhanced the aesthetic appeal but also added a monumental aspect to the bosquet, reflecting the opulence of Louis XIV’s reign.
Further modifications were made in 1704, including the addition of three new entrances and the removal of three fountains, which adjusted the flow and accessibility of the space. One of the most notable features added during this period was the statue of the Abduction of Persephone, which was installed in the center of the Colonnade in 1696. This statue, sculpted by the artist Jean-Baptiste Tuby, became a focal point of the redesigned bosquet, complementing the grandeur of the colonnade with its classical theme.
In 1684, Jules Hardouin-Mansart undertook a dramatic redesign of the bosquet, transforming it into a grand architectural feature. The area was reimagined with a circular arched double colonnade, consisting of 32 arches and 31 fountains, which introduced a new level of grandeur and complexity to the space. This transformation not only enhanced the aesthetic appeal but also added a monumental aspect to the bosquet, reflecting the opulence of Louis XIV’s reign.
Further modifications were made in 1704, including the addition of three new entrances and the removal of three fountains, which adjusted the flow and accessibility of the space. One of the most notable features added during this period was the statue of the Abduction of Persephone, which was installed in the center of the Colonnade in 1696. This statue, sculpted by the artist Jean-Baptiste Tuby, became a focal point of the redesigned bosquet, complementing the grandeur of the colonnade with its classical theme.
14) Jardin du Roi (King's Garden)
The King's Garden is a testament to the grandeur of early 19th-century landscape design. Created in 1817 by the architect Dufour under the commission of Louis XVIII, this garden was conceived in an English style, which was a departure from the more formal French garden designs of earlier periods. The layout was intended to evoke a sense of natural beauty and tranquility, featuring a variety of superb plant species that were meticulously arranged to enhance the garden’s aesthetic appeal.
The design of the King's Garden included lush plantings and innovative water features, most notably the Mirror Fountain, which remains a focal point of the garden today. This fountain was originally intended to reflect the surrounding beauty and create a serene, reflective atmosphere. The garden was celebrated for its diverse and elegant plant varieties, which contributed to its reputation as a picturesque and calming retreat.
Unfortunately, much of the garden’s original charm was lost during a severe storm in 1999, which caused significant damage to the vegetation and landscape. Despite this, the garden's layout and the Mirror Fountain have endured, serving as a poignant reminder of the King's Garden's former splendor. The surviving elements offer visitors a glimpse into the garden’s original design and continue to provide a serene space within the historic grounds of Versailles.
The design of the King's Garden included lush plantings and innovative water features, most notably the Mirror Fountain, which remains a focal point of the garden today. This fountain was originally intended to reflect the surrounding beauty and create a serene, reflective atmosphere. The garden was celebrated for its diverse and elegant plant varieties, which contributed to its reputation as a picturesque and calming retreat.
Unfortunately, much of the garden’s original charm was lost during a severe storm in 1999, which caused significant damage to the vegetation and landscape. Despite this, the garden's layout and the Mirror Fountain have endured, serving as a poignant reminder of the King's Garden's former splendor. The surviving elements offer visitors a glimpse into the garden’s original design and continue to provide a serene space within the historic grounds of Versailles.
15) Bassin de Saturne (Saturn Fountain)
The Saturn Fountain, also known as Winter Basin, is a notable water feature in the gardens of Versailles. It is part of the group of basins representing the Four Seasons, which include the Ceres Basin, the Flora Basin, the Bacchus Basin, and the Saturn Basin. The Four Seasons are depicted multiple times throughout Versailles in various sculptures, forming a thematic element that highlights the passage of time and the natural cycles.
Located in the southern part of the gardens, the Saturn Fountain is symmetrically aligned with the Flora Fountain. The centerpiece of this basin is a gilded lead statue of Saturn, the Roman god of time and agriculture, sculpted by François Girardon in 1672. Saturn is depicted seated on a throne, surrounded by playful cupids on an island adorned with seashells. This composition symbolizes winter, capturing the serene and contemplative aspects of the season.
Commissioned by Louis XIV in 1674, the Saturn Fountain is part of the Grand Command, a collection of sculptures that includes statues of the Four Seasons. These artworks were designed to enhance the grandeur and symbolic richness of the gardens. The intricate details and the use of gilded lead for Saturn’s statue reflect the artistic and technical prowess of Girardon, one of the leading sculptors of the era.
Located in the southern part of the gardens, the Saturn Fountain is symmetrically aligned with the Flora Fountain. The centerpiece of this basin is a gilded lead statue of Saturn, the Roman god of time and agriculture, sculpted by François Girardon in 1672. Saturn is depicted seated on a throne, surrounded by playful cupids on an island adorned with seashells. This composition symbolizes winter, capturing the serene and contemplative aspects of the season.
Commissioned by Louis XIV in 1674, the Saturn Fountain is part of the Grand Command, a collection of sculptures that includes statues of the Four Seasons. These artworks were designed to enhance the grandeur and symbolic richness of the gardens. The intricate details and the use of gilded lead for Saturn’s statue reflect the artistic and technical prowess of Girardon, one of the leading sculptors of the era.
16) Bassin du Miroir (Mirror Fountain)
The Mirror Fountain is an exquisite water feature in the gardens of Versailles, situated opposite the King's Garden and near the Saturn Fountain. Commissioned by Louis XIV around 1702, the Mirror Fountain stands as a testament to the grandeur and opulence of the French monarchy during the 17th century. Its elaborate design and intricate details reflect the artistic and architectural prowess of the period, making it a prominent attraction in the vast expanse of the Versailles gardens.
The fountain is spread across three levels, each adorned with sculptures that enhance its visual appeal. The widest lower level features groups of children, creating a lively and playful atmosphere. The upper level is dominated by sculptured Cupids, crafted by the talented sculptor Jean Hardy. Flanking the fountain are two impressive dragons, also carved by Hardy in 1702, adding a mythical and majestic touch to the overall design. The five paths leading to the Mirror Fountain contribute to its impressive appearance, especially when viewed from above, offering a panoramic vista that captures the essence of Versailles' architectural magnificence.
The Mirror Fountain awe-inspiring design often hosts musical fountain shows, where water artistry is seamlessly combined with baroque music, providing a sensory delight for visitors. These performances highlight the fountain's dynamic beauty and its capacity to mesmerize audiences with its choreographed water displays.
The fountain is spread across three levels, each adorned with sculptures that enhance its visual appeal. The widest lower level features groups of children, creating a lively and playful atmosphere. The upper level is dominated by sculptured Cupids, crafted by the talented sculptor Jean Hardy. Flanking the fountain are two impressive dragons, also carved by Hardy in 1702, adding a mythical and majestic touch to the overall design. The five paths leading to the Mirror Fountain contribute to its impressive appearance, especially when viewed from above, offering a panoramic vista that captures the essence of Versailles' architectural magnificence.
The Mirror Fountain awe-inspiring design often hosts musical fountain shows, where water artistry is seamlessly combined with baroque music, providing a sensory delight for visitors. These performances highlight the fountain's dynamic beauty and its capacity to mesmerize audiences with its choreographed water displays.
17) Northern Quincunx and Southern Quincunx
The gardens of Versailles are extensive and full of water features, lawns and bosquets. You will find the Northern Quincunx and the Southern Quincunx between the Latonia Fountain and the Grove of the Rocaille.
A “quinconce” is a quincunx and, for those of us who were never top of the class in Latin, it is a geometric pattern, elaborated by Pythagoras, consisting of four objects arranged in a square or a rectangle with a 5th object in the centre (like the five dots on a playing dice or domino).
The quincunxes at Versailles were laid out in 1660 by André le Notre and were simply named The Two Bosquets. In 1696 they were rebuilt and named the Bosquet de la Girandole with a pool and a fountain featuring a flower arrangement at its centre, and the Grove of the Dauphin with a pool and a fountain representing a dolphin in its centre.
During a replanting program in 1775 both bosquets were destroyed and lime trees were planted in their place. It was at this time they were named the Northern Quincunx (the Grove of the Dauphin) and Southern (the Grove of the Girandole).
After the Great Storm of 1999, when a large part of Versailles was devastated by the wind, an extensive reforestation program was launched and during this the lime trees were cut down and the two bosquets were restored to their original state and reclaimed their original names.
A “quinconce” is a quincunx and, for those of us who were never top of the class in Latin, it is a geometric pattern, elaborated by Pythagoras, consisting of four objects arranged in a square or a rectangle with a 5th object in the centre (like the five dots on a playing dice or domino).
The quincunxes at Versailles were laid out in 1660 by André le Notre and were simply named The Two Bosquets. In 1696 they were rebuilt and named the Bosquet de la Girandole with a pool and a fountain featuring a flower arrangement at its centre, and the Grove of the Dauphin with a pool and a fountain representing a dolphin in its centre.
During a replanting program in 1775 both bosquets were destroyed and lime trees were planted in their place. It was at this time they were named the Northern Quincunx (the Grove of the Dauphin) and Southern (the Grove of the Girandole).
After the Great Storm of 1999, when a large part of Versailles was devastated by the wind, an extensive reforestation program was launched and during this the lime trees were cut down and the two bosquets were restored to their original state and reclaimed their original names.
18) Bosquet de la Reine (Queen's Grove)
The Queen's Grove, formerly known as the Labyrinth, is a garden area in Versailles with a rich and evolving history. Originally laid out in 1665 by André Le Nôtre, the Labyrinth was designed as a maze of simple, unadorned paths situated south of the Latona Fountain and near the Orangerie. This early design was intended to offer a playful yet educational space within the gardens of Versailles.
In 1669, writer Charles Perrault suggested to Louis XIV that the Labyrinth be remodeled to aid in the education of the Dauphin, the king's son. Consequently, between 1672 and 1677, Le Nôtre transformed the area into a more elaborate and instructive feature. The redesigned Labyrinth was adorned with 39 fountains depicting scenes from Aesop’s Fables, accompanied by story plaques to help the young Dauphin learn to read. The maze was further embellished with 333 painted metal animal sculptures, creating an engaging and educational experience.
The Labyrinth's intricate design and decorative elements, however, proved challenging to maintain. By 1778, the costs of repair and upkeep led Louis XVI to order its demolition. In its place, the garden was transformed into an arboretum featuring exotic trees, designed in the English style. This new layout was rechristened the Queen's Grove. The area later became notable for the infamous Affair of the Diamond Necklace in 1785, a scandalous episode in French history.
In 1669, writer Charles Perrault suggested to Louis XIV that the Labyrinth be remodeled to aid in the education of the Dauphin, the king's son. Consequently, between 1672 and 1677, Le Nôtre transformed the area into a more elaborate and instructive feature. The redesigned Labyrinth was adorned with 39 fountains depicting scenes from Aesop’s Fables, accompanied by story plaques to help the young Dauphin learn to read. The maze was further embellished with 333 painted metal animal sculptures, creating an engaging and educational experience.
The Labyrinth's intricate design and decorative elements, however, proved challenging to maintain. By 1778, the costs of repair and upkeep led Louis XVI to order its demolition. In its place, the garden was transformed into an arboretum featuring exotic trees, designed in the English style. This new layout was rechristened the Queen's Grove. The area later became notable for the infamous Affair of the Diamond Necklace in 1785, a scandalous episode in French history.
19) Bosquet de Roccailles (Rockwork Grove)
The Rockwork Grove, also known as the Ballroom (Salle de Bal), is designed by André Le Nôtre and constructed in the early 1680s. Located west of the Parterre du Midi and south of the Latona Fountain, this grove showcases a semi-circular cascade that elegantly forms the backdrop of the area. The design is characterized by its intricate Rococo detailing, with gilded torch lamps enhancing the festive atmosphere.
In 1683, the Ballroom was inaugurated with a grand dance party hosted by Louis XIV’s son, the Grand Dauphin. The event marked the bosquet’s official entry into the royal festivities, showcasing its role as a site for elegant entertainments. The semi-circular cascade, with its refined water features, provided a stunning setting for the celebratory occasion.
A significant remodeling took place in 1707, which saw alterations to the original design. The central island, once a key feature of the bosquet, was removed, and an additional entrance was introduced to better accommodate visitors and events. These changes reflected the evolving tastes and practical needs of the royal court.
In 1683, the Ballroom was inaugurated with a grand dance party hosted by Louis XIV’s son, the Grand Dauphin. The event marked the bosquet’s official entry into the royal festivities, showcasing its role as a site for elegant entertainments. The semi-circular cascade, with its refined water features, provided a stunning setting for the celebratory occasion.
A significant remodeling took place in 1707, which saw alterations to the original design. The central island, once a key feature of the bosquet, was removed, and an additional entrance was introduced to better accommodate visitors and events. These changes reflected the evolving tastes and practical needs of the royal court.
Walking Tours in Versailles, France
Create Your Own Walk in Versailles
Creating your own self-guided walk in Versailles is easy and fun. Choose the city attractions that you want to see and a walk route map will be created just for you. You can even set your hotel as the start point of the walk.
Versailles Introduction Walking Tour
Versailles, a wealthy suburb of Paris some 20 kilometers southwest of the capital, is steeped in grandeur and regal history. Known worldwide for its opulent palace – the residence of French royalty, this small town offers much more than just its royal gates. Versailles is a living museum of French architecture and aristocratic life and is historically known for numerous treaties signed there,... view more
Tour Duration: 2 Hour(s)
Travel Distance: 3.5 Km or 2.2 Miles
Tour Duration: 2 Hour(s)
Travel Distance: 3.5 Km or 2.2 Miles
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